Jonny Woo bares all in his latest production, Suburbia. Using song and spoken word, Woo tells us his story. Wearing gorgeous dresses and nightwear, Woo takes us on a journey from his hometown and his influences growing...
The hour you spend with Olaf Falafel is very silly. He warns this show is for 12+ which might be an issue judging by some of the audience. He cleverly checks with parents with...
Chaotic is a word that gets thrown around, but this hour is the very definition of it. Tony comes out dressed as a pirate for no reason. He also has a falconry glove for...
The sheer crowd madness induced by this interactive text-based game, which has its own cult following, is really something to be experienced. Robertson commands the stage in a video game dungeon garb...
It means yes in three different languages. The South African dancing troupe dance, sing and read poems all relating to their South African culture of which they are clearly very proud. It is...
A lengthy ‘legal notice’ absolves Dr. Silcox of any blame that his advice may lead to - which is strange as he looks very reliable in his gold suit and hat. It’s...
“I’m the BC autistic – before it was cool,” says Ria Lina. Half Filipino, half German, British, raised in Holland and with an American accent, Ria Lina is not easy to categorise.The...
In the past Zoë Coombs Marr has been known for her complex, layered meta comedy. This year she's slowed down and given the audience space to laugh to their hearts content. Her...
Red Like Fruit Strong female voices are all around on this year’s Fringe but ironically one of the most insightful, nuanced narratives is read by a man. This is Hannah Moscovitch’s Red Like...
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