Magician Ben Hart brings a sense of beauty to his magic shows - combining world class illusions with stunning visual effects. He tells Entertainment...
Read moreDetailsI leave the theatre feeling deeply conflicted. Josh Pickar’s show lingers long after the lights come up, not because it provides easy answers, but because it refuses to. Pickar takes you on a journey through his...
The venue is perfect for a circus show. Located at the Lafayette at Underbelly’s Circus Hub on the Meadows is a huge blue tent with high ceilings made for acrobatic...
When Madame Chandelier’s daughter gets sucked into her video game and is kidnapped by the evil Queen of the Night, there’s only one thing to do – gather opera’s fiercest...
Gravel voiced, terminally laid-back Canadian comic Tom Stade has a very clear idea of how he wants a gig to feel. “My style is - I don’t turn it into a comedy...
If the Edinburgh Fringe is a living, breathing, performer, then sketch comedy is its favourite outfit – ever changing each year, yet always marvellously there. Sketch comedy has a deep history at...
Fringe Frontier have released Criminal Hour, a new eight-track album that combines driving rhythms, punchy guitar hooks, and vivid Americana-inspired storytelling into a confident indie rock statement. The duo of John Lloyd and...
The long life of the Edinburgh Fringe is packed with the creative and the unexpected, not just in performances but in performance spaces.It is, I believe, of the very essence of a...
A dark comedy show about luck, sadness, and delusion, all set in the familiar space of your parents’ basement. The venue itself (which is basically just a curtain) some people might think...
Here’s an unlikely thought. Could it be that, at the age of 55, Tom Stade might be calming down a bit? Not mellowing exactly. That would be too much to expect from...
In Erotic Vagrancy, his entertainingly excessive memoir of the excessive lives of Richard Burton and Elizabeth Taylor the author Roger Lewis paints a portrait of the couple in shades of vulgarity, violence,...
I BLOODY love Gearóid Farrelly. I first saw him at the Fringe two years ago playing in a glorified cargo container and I was helped out, sore of side and red of...
I leave the theatre feeling deeply conflicted. Josh Pickar’s show lingers long after the lights come up, not because it provides easy answers, but because it refuses to. Pickar takes you on a journey through his professional career as a US...
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