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REVIEW: Noel Gallagher’s High Flying Birds, Hydro, Glasgow

Fiona Shepherd by Fiona Shepherd
December 27, 2023
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REVIEW: Noel Gallagher’s High Flying Birds, Hydro, Glasgow
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An illuminated panel bears the name of Noel Gallagher’s favourite football team, Man City and an illuminated cutout of team manager Pep Guardiola stands on the touchline, as if giving his blessing to proceedings.

There are flowers everywhere and a big screen gradually revealing the High Flying Birds name as a disturbing drone is gradually ramped up. Not, arguably, the start one might normally imagine for a Noel Gallagher concert – though the end very much conforms to expectations.

The Man City collateral at least ties in with current album Council Skies, as its sleeve pictures the site of the club’s original ground. Understandably, Gallagher wsnts to show off his latest wares and the set begins with five songs from that album – all strongly melodic with tinges of retro psych pop feeling and the maximalist, colourful Beatlesque visuals to match.

The mood is mostly light and upbeat until the more thoughtful, expansive Easy Now.

Elsewhere from the HFB catalogue, You Know We Can’t Go Back barrels along, while We’re On Our Way Now was more a case of throwing sound and vision at the wall in the hope it would stick. Drummer Chris Sharrock gives it his best Keith Moon moves on the spunky If I Had a Gun, AKA… What a Life! is an ecstatic joy and the crowd exercise their vocal chords to Dead in the Water in preparation for the closing salvo of Oasis tunes, which ranges from b-side Going Nowhere via the quirky swagger of The Importance of Being Idle to the loveless plod of Little By Little, culminating in a version of Don’t Look Back In Anger during which Gallagher cedes all vocal duties to the fans.

Tags: Noel Gallagher
Fiona Shepherd

Fiona Shepherd

Fiona is an established music journalist, based in Glasgow, where she has been attending gigs for the past 35 years and writing about the local and wider music scene since 1990. She is the chief rock and pop critic of The Scotsman, and also writes for Scotland On Sunday, The List and Edinburgh Festivals magazine. She is co-founder and co-director of Glasgow Music City Tours and Edinburgh Music Tours, which offer guided music themed walking tours exploring the rich musical history of both cities.

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