An eccentric, sparkly-dressed bunch that lives off drugs, thrift shops, and a love for the stage, band together during the heart of political uncertainty and the flower power cultural movement of the 1970s to become “The Cockettes”.
After Pam, the sweet midwestern girl in search of a new home, meets Hibiscus, apparent leader of the Cockettes, Pam then joins the rest of the alternative divas, gays and hippies. There is no care for gender here, and the one answer to their sexuality is yes.
Sylvester, the self-proclaimed one and only, starts to stand out among the eight members of the Cockettes, and after the gang gives their all at every gig in San Francisco, they get the offer to perform in New York. A dream for everyone but Hibiscus. Tension rises between Hibiscus and Sylvester, leading to the former being left behind as the rest chase their dreams in New York. But distracted by the Big Apple and all that it holds, there is no time left to rehearse and open night crashes right before their eyes.
However, this seems to be the abrupt ending to the show. There isn’t a redemption for the Cockettes; they all go their separate ways, and the next scene sees them 10 years later. One significant piece of information is that Sylvester has become a massive 80s pop success, so I suppose this is one eighth of a redemption. The plot seems slightly loose, as during this reflective scene, where the gang are all back together to conclude their story, there is no explanation for it, but the divide between Hibiscus and Sylvester has been too easily forgiven.
Plot aside, these LSD and acid-dropping divas singing, dancing and fast changes are very impressive. The sassy and cheeky choreography and props are incredibly creative with a handmade touch. The wardrobe is bright, the outfits in all their patterns and sparkles stand out among each other, as do the brilliant voices showcased by the cast.
Midnight at the Palace 21.30, Gilded Ballon Patter House, until August 24
https://www.edfringe.com/tickets/whats-on/midnight-at-the-palace
