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Home Edinburgh Festivals

Roll Up. Roll Up. New Way to Pick Up Cheap Last Minute Deals at Edfringe

claire smith by claire smith
August 11, 2026
in Edinburgh Festivals, News
2 0
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Why Is There So Much Misery in Fringe Comedy?

A street performer at Edinburgh Festival Fringe.

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Fringe goers will be able to find last minute bargains at a live ticket selling hub at Assembly Hall Edinburgh.

Live daily ticket offers for Just the Tonic, Pleasance, Underbelly, Gilded Balloon, Assembly and Zoo will now be displayed on a constantly updated screen outside Assembly Hall on the Mound.

Assembly Director William Burdett-Coutts, said : “This is a great step forward for the Fringe. Our drive is to try and reduce costs for performers and find ways of making the festival more efficient. With Edfest we have already reduced box office commission for companies to zero provided they put per cent of their tickets into Love the Fringe. A win win for the audience and shows alike. Which is why a physical, live-updating box office on the Mound matters during peak Fringe footfall, and how it gives companies a direct way to reach passing audiences. Audiences can also save up to £1.50 on booking fees probably making this the cheapest box office service in the city.”

Beyond the Fringe, edfest.com also brings together listings for Edinburgh’s other festivals year-round, including the Edinburgh International Festival, the International Book Festival, the Film Festival and the Royal Edinburgh Military Tattoo, with booking handled directly through each festival’s own site.

Fun Fringe Fact. The famous statue of Greyfriars Bobby was given to the city of Edinburgh in 1872 by Baroness Burdett-Coutts who is related to Assembly Founder William Burdett-Coutts..

Visitors to Edinburgh have been falsely told that touching Bobby’s nose is a way to bring luck. In fact it is damaging the statue.

As Burdett-Coutts said to a Fringe audience at one Assembly Gala Launch: “STOP TOUCHING OUR DOG”

claire smith

claire smith

Claire Smith is a news and feature writer who has written for many years about the Edinburgh Festival Fringe. She has written about cabaret, comedy, theatre and spoken word and has a particular fondness for the wild, the avant garde and the eccentric.

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