The Birth of Club Theatre: The Best New Writing
No Love Songs Traverse The rise of gig theatre over the last few years has produced some of the most...
Fiona is an established music journalist, based in Glasgow, where she has been attending gigs for the past 35 years and writing about the local and wider music scene since 1990. She is the chief rock and pop critic of The Scotsman, and also writes for Scotland On Sunday, The List and Edinburgh Festivals magazine. She is co-founder and co-director of Glasgow Music City Tours and Edinburgh Music Tours, which offer guided music themed walking tours exploring the rich musical history of both cities.
No Love Songs Traverse The rise of gig theatre over the last few years has produced some of the most...
Funeral ZOO Southside Belgian theatre company Ontroerend Goed have been Fringe mainstays for the past twenty years, typically creating provocative...
Fast approaching its sixtieth birthday, Cambridge Folk Festival was sounding better than ever with a line-up boasting US and African...
With over 800 shows listed in the Theatre section of the Fringe programme, it can be difficult to know where...
Barrowland, Glasgow The Mars Volta are back and, if anything, their hair aggregate is even more impressive, all the better...
For a brief moment back there in the innocent days of 2017, it sounded like all was (relative) sweetness and...
Former music weekly scribe turned noir crime writer Cathi Unsworth ends her latest work with the declaration “I am a...
The one-time biggest pop band on the planet belatedly celebrate their 40thanniversary as a group in relatively limber style –...
The late Mark E Smith (in)famously declared that “if it’s me and yer granny on bongos, it’s The Fall” –...
The Damned are unique among their first wave punk peers for their longevity and musical variety, and have continued to...
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