Edith Alibec showcases a lacklustre storytelling about a mother daughter relationship set against a ten year high school reunion, that prompts her to re-evaluate her own life.
Alibec sits alone in a chair in front of the audience for an hour, while she regurgitates what could have been summed up in a short novel. It follows Alibec, who acts as the narrator to this non-biographical tale, while she navigates a relationship with her mother and the rekindling of a wet flame with a teenage crush.
The primary flaw of the show lies in Alibec’s medium of communication. The story and plot have potential, but monotonously talking at an audience for the full show with no engaging movement or props results in a disappointing experience. The lack of dynamic elements makes it difficult to connect with the text.
That said, it isn’t all bad, Glitch has some comedic moments, but as a whole the performance falls flat, lacking emotional resonance or a memorable takeaway. If you’re easily bored then best steer clear.
Glitch, 13.15 Assembly George Square – The Crate, until August 26
