Mairi Campbell’s Pulse is an autobiographical show that covers the artist’s twenties. This runs alongside two other separate shows that cover the later years of her life.
The show starts after Campbell’s experience at a music school in London, where she struggles to feel heard. This lands her back in Scotland, where she is trying to find her ‘pulse’.
The hour-long show includes a mixture of musical storytelling and narrative from Campbell. The set is simple, with Campbell’s viola being the staple. Moving drawings line the back curtains to create a beautiful movement throughout the play. There are some moments when the staging is flawed, when Campbell’s back is to the audience when demonstrating a conversation.
Other voices play throughout the show, which add to the dimensions of the set. They are well thought out and appear realistic as if someone else is on the stage.
Campbell explores her travels as a young person and falling hopelessly in love with a priest in Mexico. This sends her over to Canada, where she discovers step dancing, sending her back to her homeland. The story itself is lovely, with real emotion coming from the folk artist.
A highlight of the show includes a moment of group singing, where the environment is comfortable to join in, and the outcome is melodious.
The original music and singing aids Campbell in telling her story. Her voice is sweet and flawless as she holds her own on stage.
Mairi Campbell: Pulse (Pendulum Trilogy), 17:00, Netherbow Theatre at Scottish Storytelling Centre, 4, 8, 12, 15
Mairi Campbell: Pulse (Pendulum Trilogy) | Edinburgh Festival Fringe
