Edfringe Review: Bernie Dieter’s Club Kabarett
Bernie Dieter’s Club Kabarett starts as soon as you enter the room. It is a sexy and raunchy show, challenging...
Nina Aspey is a 4th year Journalism student originally from Leicester. With a love of performing arts from a young age, she enjoys reviewing a wide range of shows, particularly comedies and musicals.
Bernie Dieter’s Club Kabarett starts as soon as you enter the room. It is a sexy and raunchy show, challenging...
Hamlet – Wakefulness reimagines the Shakespearean classic with a prologue to Hamlet, exploring the night of the old King’s murder. Before the show,...
Brainsluts follows four participants as they try to break the awkwardness at their clinical trial. Each character is there for their own...
Laura Davis starts the show by bounding into the room, shouting. They have kindly provided us with fans but threatens...
Tamar Broadbent is reluctant about becoming a mother and doesn’t want to lose her identity. In this musical comedy, Broadbent explores the ups and downs of pregnancy. Broadbent is an outstanding singer,...
Joe Sutherland is trying to learn ‘straight man’ lingo and navigate life at 36. Coming up to a 10 year...
am/pm is a storytelling show by Johnny White Really-Really as he through the life of a receptionist, mainly narratives around their boss. White’s humour is dry...
Urooj Ashfaq is trying a new style at this year’s Fringe, this time she is not playing nice. After a...
Kanpur: 1857 starts with an introduction to the real life events, accompanied by live tabla drums. Niall Moorjani is our...
Nervous, Marty Breen is reluctant to come to the mic, chugging half a bottle beforehand. The show is performed through...